Heirs to Impressionism
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Heirs to Impressionism André and Berthe Noufflard

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Published by Dixon Gallery and Gardens in Memphis, Tenn .
Written in English

Subjects:

Places:

  • France

Subjects:

  • Noufflard, André, 1885-1968 -- Exhibitions.,
  • Noufflard, Berthe, 1886-1971 -- Exhibitions.,
  • Impressionism (Art) -- France -- Exhibitions.,
  • Painting, French -- 20th century -- Exhibitions.

Book details:

Edition Notes

Catalogue of an exhibition held at the Dixon Gallery and Gardens, Memphis, Tenn., Nov. 20, 1988-Jan. 22, 1989 and at six other museums, Feb. 11, 1989-May 13, 1990.

Statementorganized by John E. Buchanan, Jr. ; with an essay by Richard Brettell.
GenreExhibitions.
ContributionsNoufflard, André, 1885-1968., Noufflard, Berthe, 1886-1971., Buchanan, John E., 1953-, Brettell, Richard R., Dixon Gallery and Gardens.
Classifications
LC ClassificationsND553.N59 A4 1988
The Physical Object
Pagination80 p. :
Number of Pages80
ID Numbers
Open LibraryOL2053131M
LC Control Number88031013

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“These seductive books have slick production values, excellent illustrations, and smart texts. Each one is a fast-food, high-energy fix on the topic at hand.” – The New York Times Book ReviewWith blockbuster exhibitions, record-breaking auction prices, and packed museums, Impressionism. This exhibition catalog provides viewers an opportunity to experience the full range of Munch’s genius, both in painting and also in graphic work, and reexamines Munch as an heir to existing 19th-century traditions such as impressionism.   The Impressionist Hari Kunzru Hamish Hamilton £, pp There are bags of talent to be found in Hari Kunzru's rather hyped first novel, but they're compact in size and oddly distributed.   Impressionism was a radical art movement that began in the late s, centered primarily around Parisian painters. Impressionists rebelled against classical.

New York, N.Y.: Thames and Hudson, , © Series: World of art. Edition/Format: Print book: English View all editions and formats. Summary: Impressionism, the revolutionary movement born in France in the s and s, was one of the most important breakthroughs in the history of painting. The art of the Impressionists is beloved of experts and non-experts alike. Paul Smith reexamines this popular group of artists in light of recent scholarship on the social context of late nineteenth-century France. He begins with Edouard Manet, often seen as a forerunner of Impressionism: a sophisticated, detached, ironic observer of the social scene in Paris. This is by far the most knowledgably written book on the subject of painting as an art, not as an academic excercise, written in English. The subject is so much more extensive than Impressionism that the title is in fact somewhat misleading.   A rare surviving painting by Renoir of the French impressionist's first wife is going on sale David Sharrock Sat 5 Mar EST First published on Sat 5 Mar EST.